William Sidney Mount
1807-1868
William Sidney Mount Galleries
William Sidney Mount (November 26, 1807 ?C November 19, 1868) born in Setauket, New York was a renowned genre painter and contemporary of the Hudson River School. Mount trained at the National Academy of Design in New York. Two of his more famous paintings are Eel Spearing at Setauket (1845, New York State Historical Association, Cooperstown) and Bargaining for a Horse (1835, New-York Historical Society, New York City). Beginning as a history painter, Mount moved to depicting scenes from everyday life. The largest collection of his works is located in The Long Island Museum of American Art, History, and Carriages
His home and studio, the William Sidney Mount House, is a National Historic Landmark. One of the local elementary schools in The Three Village Central School District is named in his honor, as is PS 174 elementary school in Rego Park, Queens. A residential building is named after him on the Stony Brook University campus. Related Paintings of William Sidney Mount :. | Bar-room Scene | The Bone Player | The Banjo Player det | Cactus in Blossom | Dance of the Haymakers | Related Artists: Gaspare LandiItalian, 1756-1830,was an Italian painter of the Neoclassic period, active in Rome and his native city of Piacenza. He is said to have been a fun-loving younth, but in 1781 he procured a subsidy to study painting in Rome from patron and distant relative, Marquis Giambattista Landi. At age 25, he moved to Rome to work under Domenico Corvi and Pompeo Battoni. He is considered a rival of Vincenzo Camuccini. Two of his pictures were once in the Pinacoteca at Parma, Diomedes and Ulysses bearing off the Palladium (1783) and the Marriage of Abraham and Sarah. Above one of the altars in the church of the Santa Casa at Loreto there is a later work by this Landi showing the Madonna addolorata. A major work is his large canvas representing the fainting of Christ as he struggles along over the road to Calvary weighted down by the burden of the Cross, Lo Spasimo for San Giovanni at Piacenza. It hung opposite Vincenzo Camuccini's Presentation. Landi became a member of the Accademia di San Luca of Rome in 1805, professor of the theory of painting in 1812, and president of the Academy in 1817. He was also made a Chevalier of the Order of the Iron Crown, of the Order of San Giuseppe, and of a Neapolitan order. About 1820 he returned to Piacenza, intending to remain there, but soon tired of the monotonous existence of a provincial town, and in 1824 reestablished himself at Rome. His last work was an Assumption and was placed in the church of San Francesco di Paola, at Naples. He returned to Piacenza in 1829, where he died. MASTER of the Duke of BedfordFrench Early Renaissance Miniaturist, active 1405-1435 einar hein(Danish, 1875-1931
|
|
|